Definition of a Clean

by Al Myers

Longtime USAWA veteran Jim Malloy properly demonstrates how to "catch" a Clean.

The Clean is a lift that is not contested by itself in the USAWA as an Official Lift, but is a big part of several other lifts.  Lifts like the Clean and Press, Clean and Seated Press, Clean and Push Press, and the Clean and Press – 2 Dumbbells are very common lifts contested in the USAWA.  We (the USAWA) define a Clean differently than what is commonly referred to as a  “Clean” in gyms all over the country.   The USAWA Rulebook clearly outlines the Rules for the Clean:

The bar will be placed on the platform, in front of the lifter’s feet. The lifter will grip the bar with the palms of the hands facing the lifter, and then in one single and continuous movement lift the bar to the chest. The lifter may choose any width of hand spacing. The lift begins at the lifter’s discretion. The lifter may drop under the bar as it goes to the chest, using a squat-style catch in which the legs are bent, or a split-style catch in which the legs split. The lifter may also choose to drop only slightly, using a power-style catch. The bar may touch the lifter’s thighs and body during the lift. The bar must come to rest on the clavicles or on the chest above the pectoral muscle in a smooth continuous movement with arms bent. The feet may move during the lift. The elbows and the upper arms must not touch the knees or legs during the lift or it will be a disqualification. No other part of the body other than the feet may touch the platform during the lift. The lifter will recover and stand when ready, from the squat or split position, to an upright standing position. The legs must be straight with the feet parallel and in line with the torso. Once in this position with the bar motionless and under control, the clean portion of the lift is finished.

As you can see from this Rule Description  the bar must go from “the floor to the chest” in one motion.  Also,  you can not support the bar on the body during a Clean as that is a violation, as outlined in the General Rules of the Lifts in the USAWA Rulebook. Section IX.3 states, “Neither the body nor the equipment may support a weight in any manner during a lift.” Of course if the Individual Rules of a Lift state exceptions then they over-ride General Rules.  This is the case with this lift, The Continental to Chest, which in some ways is similar to a Clean.  The beginning and end of the Clean and the  Continental to Chest is the same – it is just what happens in between that is different!   This is where the confusion arises.  Continental is even defined in the USAWA Rulebook in the Glossary.  It states, “Continental – This means that the lift may be done in any manner, with minimal restrictions.  The bar may stop, be lowered, be supported by the body, or be lifted unevenly. The hands do not need to stay on the bar and any grip may be used.” In other words – ANYTHING GOES!!

So, a lift from the platform can be called either a Clean or a Continental.  It can not be called BOTH!  And please don’t use the terminology “Continental Clean” to describe a lift  – that is a misnomer due to  being a conflict of description between  both words. The USAWA has adopted the “modern day” rules of the Clean.  Look back in history and you will see the Rules of the Clean were more difficult than what we use now.  The word Clean, was first used because it applied to the bar being taken to the shoulders clean, or clear, of the body.  In other words – no touching of the legs on the way up!!  How many proficient Olympic Lifters do you see keeping the bar “away” from the body?  NONE!! Our Rules of the Clean allow the bar to touch the legs or body without it being a rules infraction.

When the USAWA Rulebook was updated last year, several of the lift names changed to better reflect how the lifts were performed.  In example, the “Two Hands Standing Press” was changed to the “Clean and Press”.  The new updated Rulebook (the 4th Edition which will be released  the first of August) will have some added rule descriptions as it applies to a Dumbbell Clean.  This will be added, “Both dumbbells must be cleaned at the same time and in one motion from the platform to the shoulders. It is an infraction to clean the dumbbells from the hang position”.  THAT is the way it has always SUPPOSED to have been but I wonder how many times, because it wasn’t laid out clearly in the Rulebook, this rule of the clean has been  violated.  I’m willing to bet that several records have been recorded in the USAWA Record List where the dumbbell/or dumbbells were taken to the shoulders using a Hang Clean.  Here is an example that I am sure even some “seasoned officials” have been confused on.  Both are one arm dumbbell lifts in which the dumbbell needs to be taken to the shoulder first in order to perform the lift.  What is the difference in taking the dumbbell to the shoulder between the “Clean and Jerk – Dumbbell, One Arm” and the “Press – Dumbbell, One Arm”?  You should now know this if you have been reading and following what I have described above.  In the first lift the dumbbell needs to be Cleaned correctly, while in the second lift the dumbbell can be taken to the shoulder in any manner, even using BOTH HANDS. Our previous Rulebooks called these two lifts the “One Hand Clean and Jerk with Dumbbell” and the “One Hand Dumbbell Press”.  It would be easy to see how the name “One Hand Dumbbell Press” could imply that ONLY ONE  HAND must be used throughout, which is not the case.

Our Rulebook is far from being perfect.  However, it is far better written now than before.  If we continue to update and correct it every year with issues like this  brought up during the year, it will only get better.

2010 Club of the Year Rankings

by Al Myers

We have past the half-way point for the 2010 Club of the Year Race.  I have just “calculated” the points each USAWA Club has to date, and put together a ranking list for the Top Five.  Details of the Club Point System have already been detailed in a previous Daily News story in case you missed it.  The defending 2009 Club of the Year Award winner, the Dino Gym, is not eligible for 2010.  It will be the Dino Gyms responsibility (and honor!) to present the award to the 2010 USAWA Club of the Year, which will be done at the 2011 National Meeting.

Club of the Year Race – Top Five

1.  Habecker’s Gym – 16 points

2.  Ambridge VFW Barbell Club – 9 points

3.  Clark’s Championship Gym – 8 points

4.  Ledaig Heavy Athletics – 6 points

5.  Frank’s Barbell Club – 6 points

So far in 2010 the USAWA has 10 registered clubs, which is the most of any year since the beginning of the USAWA.  The previous high was 8 clubs, in 2002 and 2003.  This is good indication that the USAWA Club Program has taken off, and will continue to grow.

National Postal Meet

Meet Announcement

2010 National Postal Championships

Dates:  Between December 1st and December 31st, 2010

Entry form must be postmarked by January 5th, 2011

Must be a current USAWA member to be eligible for competition

Entry Fee:  None

Official USAWA rules apply as outlined in the Rule Book

Lifts:

Clean and Press – Heels Together

Curl – Cheat

Deadlift – 12” Base

Entry Form pdf – National Postal

Delaware Valley Postal Meet

Meet Announcement

Delaware Valley Open Postal Meet

Dates:  Between September 1st and September 30th, 2010

Entry form must be postmarked by October 5th, 2010

Must be a current USAWA member to be eligible for competition

Entry Fee:  None

Official USAWA rules apply as outlined in the Rule Book

Lifts:

Bench Press – Reverse Grip

Squat – Front

Continental to Chest

Entry Form pdf – Delaware Valley Open Postal Meet Entry Form

Luigi Borra

by Dennis Mitchell

Luigi "Milo" Borra posing at around 28 years of age.

Luigi Borra was born in Milan Italy, January 14, 1866.  As a young man he was active in gymnastics, wrestling and weightlifting.  At the age of twenty three, he gave up employment as a telegraph instrument maker and joined the circus as a wrestler.  From there he joined the Folies Bergere also as a wrestler.  He had a good physique and was a good poser. He performed throughout Europe in music halls and theaters, combining gymnastics, posing, and feats of strength. It was while performing that he met Louis Attila.  Attila convinced Luigi to return to England with him so that Attilla could manage and promote him and arrange for bookings.  However, Attila’s motives were not only for Luigi’s benefit.  Louis Attila had been traveling and performing with Eugene Sandow.  A quarrel between Sandow and Attila caused their break up.  Attila went to Paris and later returned to England with Luigi.  He intended to use Luigi as a new performer to dethrone Sandow.  Luigi was a small man and unknown in England.  Attila knew that Sandow would not meet any well known performer and hoped to get revenge by having Luigi challenge Sandow in wrestling and in feats of strength. Sandow, after his defeat by the McKann brothers was not accepting any challenges, and there were quite a few of them. Attila claimed that Sandow would not meet Luigi, as Luigi had defeated Sandow in wrestling in Italy.  However Attila could not show any proof of this.  Some years later (1894) when Attila opened his Broadway gym, they became friends again.

One of Luigi’s acts was to place a 200 pound barbell on his shoulders.  Six 56 pound block weights were attached to a harness that Luigi was wearing, and two men would hang onto the ends of the barbell.  The total weight being over 1,000 pounds.  Luigi would turn around three times while supporting the weight.  He would also hang by his teeth while doing a crucifix with a pair of 50 pound dumbbells.  He would juggle an 80 pound kettlebell and with the left hand, would clean and bent press 225 pounds.  He only weighed 160 pounds.  He would press up into a hand stand while lifting 200 pounds with his teeth.

Brinn "the Cannon Ball King", aka Luigi Borra, supporting a a 500 pound motorcycle by a chin pole.

He continued performing under Attila’s management, and as many strongmen did, changed his name to Milo.  For a short time he did some exhibitions with Louis Cyr.  With the rising popularity of the Saxon Trio, Luigi stopped performing for a while, but later reappeared as Brinn – The Cannon Ball King.  His act opened December 28, 1903 at the Hippodrome Theater in Liverpool.  His act consisted of juggling, hand balancing and balancing a cannon or a motorcycle at the end of a pole on his chin.  He was able to do this with a 400 pound cannon.  He not only performed in England but also in Germany and Italy.  He was an excellent performer, and showman, well liked, and performed for many years.  After retiring from performing he ran a bar called the Grafton Arms.  At the weight of 167 pounds he stood 5’5.25″, chest 46.5″, biceps 15.75″, thigh 23.5″, and calf 15.75″.  He died January 19, 1955 at Twyford in Berkshire, England.  He was 89 years old.

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